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Animal Idioms and their Use in Foreign Language...
23,90 CHF *
zzgl. 3,50 CHF Versand

Seminar paper from the year 2008 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 1,7, University of Erfurt, language: English, abstract: Idioms are quite pleasant and fascinating linguistic phenomena to me. I connect idioms to a creative and competent use of language. Therefore, I can still remember the first idiom I learnt at school: It's raining cats and dogs. At that time, it was just a funny gimmick during the English lesson. Today the study of English opens new vistas to this. Why isn't it raining fish? Or one could as: Why isn't it raining cats and dogs in Germany, but 'Bindfäden' (twines)?In this presentation I want to engage in the field of idiomatic expressions containing animal names. As this group is unmanageably wide, I will concentrate on phraseological units that are connected to cats and dogs. After having given a short general linguistic overview of the field concerning idioms, I will concentrate on the possibilities of using idioms in primary class. I will not only give arguments for it but also present material one could use in class.

Anbieter: Orell Fuessli CH
Stand: 25.09.2020
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Phraseology in Intercultural Communication
22,90 CHF *
zzgl. 3,50 CHF Versand

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Erfurt (Philosophische Fakultät - Fachbereich Anglistik), course: Intercultural Communications, language: English, abstract: 'Idioms, the colourful side of languages, are one of the symbols used while we are communicating our thoughts and feelings. They are used to give life and richness to the language by taking the existing words, combining them in a new sense, and creating new meanings, just like a work of art.' (LEN-NON, 1998, cited in BULUT; ÇELIK-YAZICI, 2004: 105) This combination of existing words 'like a work of art' represents a huge challenge for non-native speakers they have to cope with in their language learning process. In the context of intercultural communication, non-native and native speakers interact with each other and often make use of idioms and other fixed expressions as 'the colourful side of languages', because they are used to it from their usual communication in their first languages. However, these fixed expressions constitute a special part of the language use due to particular characteristics, which will be explored further in this term paper. Consequently, communication between non-native and native speakers does not always runs smoothly when phraseological language comes into play. Amongst others, the cultural boundedness as well as native-like creative exploitations of the fixed expressions represent probable causes for misunderstandings. These aspects will be presented hereafter. Given the limited space of this term paper, the focus is on communication between non-native and native speakers. Phenomenon connected to the phraseological language in a lingua franca setting cannot be examined further. Within the scope of intercultural communication, contrastive linguistics is one approach towards interactions across language borders. 'Contrastive linguistic

Anbieter: Orell Fuessli CH
Stand: 25.09.2020
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Die Bedeutung des Kohlbergschen Stufenmodells f...
21,90 CHF *
zzgl. 3,50 CHF Versand

Studienarbeit aus dem Jahr 2007 im Fachbereich Pädagogik - Wissenschaft, Theorie, Anthropologie, Note: 2,3, Universität Erfurt, Veranstaltung: Anthropologische und normative Bedingungen von Bildungs- und Erziehungsprozessen in der Mpderne, 7 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Diese Arbeit beschäftigt sich mit den Ergebnissen über die kognitive Moralentwicklung von Lawrence Kohlberg, welche an die Arbeit von Piaget über die Entwicklung des moralischen Urteils beim Kinde anknüpfen. Dabei werden sowohl die Vorannahmen und die Theorie von Kohlberg, die Arbeit mit Dilemmata, als auch die praktische Umsetzung, in Form der Just Community, angeschnitten und letztendlich auch kritisiert.

Anbieter: Orell Fuessli CH
Stand: 25.09.2020
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Animal Idioms and their Use in Foreign Language...
14,40 € *
zzgl. 3,00 € Versand

Seminar paper from the year 2008 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 1,7, University of Erfurt, language: English, abstract: Idioms are quite pleasant and fascinating linguistic phenomena to me. I connect idioms to a creative and competent use of language. Therefore, I can still remember the first idiom I learnt at school: It's raining cats and dogs. At that time, it was just a funny gimmick during the English lesson. Today the study of English opens new vistas to this. Why isn't it raining fish? Or one could as: Why isn't it raining cats and dogs in Germany, but 'Bindfäden' (twines)?In this presentation I want to engage in the field of idiomatic expressions containing animal names. As this group is unmanageably wide, I will concentrate on phraseological units that are connected to cats and dogs. After having given a short general linguistic overview of the field concerning idioms, I will concentrate on the possibilities of using idioms in primary class. I will not only give arguments for it but also present material one could use in class.

Anbieter: Thalia AT
Stand: 25.09.2020
Zum Angebot
Phraseology in Intercultural Communication
13,40 € *
zzgl. 3,00 € Versand

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Erfurt (Philosophische Fakultät - Fachbereich Anglistik), course: Intercultural Communications, language: English, abstract: 'Idioms, the colourful side of languages, are one of the symbols used while we are communicating our thoughts and feelings. They are used to give life and richness to the language by taking the existing words, combining them in a new sense, and creating new meanings, just like a work of art.' (LEN-NON, 1998, cited in BULUT; ÇELIK-YAZICI, 2004: 105) This combination of existing words 'like a work of art' represents a huge challenge for non-native speakers they have to cope with in their language learning process. In the context of intercultural communication, non-native and native speakers interact with each other and often make use of idioms and other fixed expressions as 'the colourful side of languages', because they are used to it from their usual communication in their first languages. However, these fixed expressions constitute a special part of the language use due to particular characteristics, which will be explored further in this term paper. Consequently, communication between non-native and native speakers does not always runs smoothly when phraseological language comes into play. Amongst others, the cultural boundedness as well as native-like creative exploitations of the fixed expressions represent probable causes for misunderstandings. These aspects will be presented hereafter. Given the limited space of this term paper, the focus is on communication between non-native and native speakers. Phenomenon connected to the phraseological language in a lingua franca setting cannot be examined further. Within the scope of intercultural communication, contrastive linguistics is one approach towards interactions across language borders. 'Contrastive linguistic

Anbieter: Thalia AT
Stand: 25.09.2020
Zum Angebot
Die Bedeutung des Kohlbergschen Stufenmodells f...
11,30 € *
zzgl. 3,00 € Versand

Studienarbeit aus dem Jahr 2007 im Fachbereich Pädagogik - Wissenschaft, Theorie, Anthropologie, Note: 2,3, Universität Erfurt, Veranstaltung: Anthropologische und normative Bedingungen von Bildungs- und Erziehungsprozessen in der Mpderne, 7 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Diese Arbeit beschäftigt sich mit den Ergebnissen über die kognitive Moralentwicklung von Lawrence Kohlberg, welche an die Arbeit von Piaget über die Entwicklung des moralischen Urteils beim Kinde anknüpfen. Dabei werden sowohl die Vorannahmen und die Theorie von Kohlberg, die Arbeit mit Dilemmata, als auch die praktische Umsetzung, in Form der Just Community, angeschnitten und letztendlich auch kritisiert.

Anbieter: Thalia AT
Stand: 25.09.2020
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Building Berlin, Vol. 7
30,80 € *
ggf. zzgl. Versand

Projects: Headquarter of Federal Intelligence Service in Berlin, Germany (Kleihues + Kleihues) Communication and Information Center at Erfurt University, Germany (Nickl & Partner) Stadium FK Krasnodar, Russia (gmp) Topics: How Pop-up-Architecture Promotes Social Change How to Preserve Open Spaces in Densified Cities What are the Demands and Requirements on Youth Centers Berlin stans for pulsating freedom on many levels, while managing to be excitingly chill. Ideas are turned into reality here, innovation is welcome, and courage is appreciated. And just like the city, the same can be said of its architecture: future-oriented and always somewhat nonconformist. It is almost self-evident that the architecture scene in the capital city attracts worldwide attention. This volume presents an in-depth selection of the most exciting new projects: from unconventional pop-up architecture to large international projects and attractive and resident-friendly urban open spaces. The exhibition of works is supplemented by informative essays that illuminate current topics, backgrounds, trends and developments in the world of construction – not only in Berlin. How can affordable and yet high-quality residential space be created? How will demographic change influence life in the different neighbourhoods? And how can a city like Berlin continue to position itself architecturally as an art and culture metropolis?

Anbieter: Thalia AT
Stand: 25.09.2020
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Complete Organ Music
11,99 € *
zzgl. 3,00 € Versand

A previous Brilliant Classics release from the organist Sergio Militello (BC94483) offered an attractive taster course to the music of the most distinguished family in music history. Now, having recorded the complete organ works of both the family's supreme craftsman and genius (BC95105), and a North-German predecessor Johann Kuhnau (BC95089), Stefano Molardi turns his attention to two earlier members of the Bach family who have inevitably been obscured by the shadow cast by Johann Sebastian. In fact as uncle to JS, Johann Christoph Bach exercised a significant influence over his musical education, as composer, organist and indeed organ-designer. Sacred vocal works such as the Requiem have been revived in recent times, but the scant surviving proportion of his keyboard music has received too little critical attention. They comprise a prelude and fugue, and three cycles of variations on chorales. The 'free' pieces reveal an inventive spirit, fantasy, a certain skill in handling counterpoint and the use of expressive devices which show him no less open than his nephew to the exuberant vitality of the Italian tradition represented by Frescobaldi and Monteverdi. Brother of Johann Christoph, Johann Michael was also father to the Maria Barbara who became Johann Sebastian's first wife. He too worked in the town of Arnstadt where the 18-year-old Johann Sebastian took up his first post in what is now appropriately known as the 'Bach Church'. Doubtless J.M. Bach's production was no less industrious than his brother, if scarcely matching his nephew, but the only extant organ works are chorale settings - 24 of them - which elaborate flowing counterpoint over and around the familiar hymn melodies such as In dulci jubilo and Ich ruf zu dir, Herr Jesu Christ. On this release, Stefano Molardi plays a finely preserved instrument from 1732-37 by Franciscus Volckland in the Cruciskirche of Erfurt, just a quarter-hour's car drive from Arnstadt. In considering the fourth volume of Molardi's Bach survey (BC95005), Early Music Review took note of the Erfurt organ's striking variety of tone colour, and praised his playing for its 'considerable clarity' and lack of histrionics, 'without extremes of registration or tempi - just what you need for the purposes of study or reference.' A FIRST RECORDING: the complete organ works by Johann Michael and Johann Christoph Bach! Johann Michael (1648-1694) and Johann Christoph (1642-1703) were brothers, and nephew of the great Johann Sebastian. The daughter of Johann Michael was Maria Barbara, the first wife of Johann Sebastian, and therefore mother of both Carl Philipp Emanuel and Wilhelm Friedemann Bach. The Bach dynasty held a long tradition of composers and performers. Both brothers were firmly rooted in the Central German organ school, with a strong emphasis on counterpoint, while also under the Italian influence of vocal melodies and fluent lines. The greatest part of both brother's oeuvre consists of Choralvorspiele, while Johann Christoph wrote some substantial variation cycles. Played on the historic 1732 Volckland organ of the Cruciskirche in Erfurt, Germany, by Stefano Molardi, one of the foremost organists of Italy, whose Kuhnau recording for Brilliant Classics was longlisted for the Preis der deutschen Schallplattenkritik.

Anbieter: Thalia AT
Stand: 25.09.2020
Zum Angebot
Complete Organ Music
22,90 CHF *
zzgl. 3,50 CHF Versand

A previous Brilliant Classics release from the organist Sergio Militello (BC94483) offered an attractive taster course to the music of the most distinguished family in music history. Now, having recorded the complete organ works of both the family's supreme craftsman and genius (BC95105), and a North-German predecessor Johann Kuhnau (BC95089), Stefano Molardi turns his attention to two earlier members of the Bach family who have inevitably been obscured by the shadow cast by Johann Sebastian. In fact as uncle to JS, Johann Christoph Bach exercised a significant influence over his musical education, as composer, organist and indeed organ-designer. Sacred vocal works such as the Requiem have been revived in recent times, but the scant surviving proportion of his keyboard music has received too little critical attention. They comprise a prelude and fugue, and three cycles of variations on chorales. The 'free' pieces reveal an inventive spirit, fantasy, a certain skill in handling counterpoint and the use of expressive devices which show him no less open than his nephew to the exuberant vitality of the Italian tradition represented by Frescobaldi and Monteverdi. Brother of Johann Christoph, Johann Michael was also father to the Maria Barbara who became Johann Sebastian's first wife. He too worked in the town of Arnstadt where the 18-year-old Johann Sebastian took up his first post in what is now appropriately known as the 'Bach Church'. Doubtless J.M. Bach's production was no less industrious than his brother, if scarcely matching his nephew, but the only extant organ works are chorale settings - 24 of them - which elaborate flowing counterpoint over and around the familiar hymn melodies such as In dulci jubilo and Ich ruf zu dir, Herr Jesu Christ. On this release, Stefano Molardi plays a finely preserved instrument from 1732-37 by Franciscus Volckland in the Cruciskirche of Erfurt, just a quarter-hour's car drive from Arnstadt. In considering the fourth volume of Molardi's Bach survey (BC95005), Early Music Review took note of the Erfurt organ's striking variety of tone colour, and praised his playing for its 'considerable clarity' and lack of histrionics, 'without extremes of registration or tempi - just what you need for the purposes of study or reference.' A FIRST RECORDING: the complete organ works by Johann Michael and Johann Christoph Bach! Johann Michael (1648-1694) and Johann Christoph (1642-1703) were brothers, and nephew of the great Johann Sebastian. The daughter of Johann Michael was Maria Barbara, the first wife of Johann Sebastian, and therefore mother of both Carl Philipp Emanuel and Wilhelm Friedemann Bach. The Bach dynasty held a long tradition of composers and performers. Both brothers were firmly rooted in the Central German organ school, with a strong emphasis on counterpoint, while also under the Italian influence of vocal melodies and fluent lines. The greatest part of both brother's oeuvre consists of Choralvorspiele, while Johann Christoph wrote some substantial variation cycles. Played on the historic 1732 Volckland organ of the Cruciskirche in Erfurt, Germany, by Stefano Molardi, one of the foremost organists of Italy, whose Kuhnau recording for Brilliant Classics was longlisted for the Preis der deutschen Schallplattenkritik.

Anbieter: Orell Fuessli CH
Stand: 25.09.2020
Zum Angebot